• Home
  • Writing
    • Chariot of the Sun
    • Articles
    • The Twenty-Five Fifties
  • Films (selected)
    • Marnram/Demon Dancer
    • Elephant Shaman
    • Granny Loan Shark
    • The Day the Piano Arrived
    • Marida
    • Early Works
  • Photography
    • Gallery
    • Dryopes
    • Gradiva
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  • Events/Exhibitions
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    • Exhibitions
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  • More
    • Home
    • Writing
      • Chariot of the Sun
      • Articles
      • The Twenty-Five Fifties
    • Films (selected)
      • Marnram/Demon Dancer
      • Elephant Shaman
      • Granny Loan Shark
      • The Day the Piano Arrived
      • Marida
      • Early Works
    • Photography
      • Gallery
      • Dryopes
      • Gradiva
      • Ruam Mitr Village
      • Blind Sight
      • Barbary Figs
    • Events/Exhibitions
      • Talks
      • Exhibitions
      • Collaborative Works
    • Bio
    • Contact
  • Home
  • Writing
    • Chariot of the Sun
    • Articles
    • The Twenty-Five Fifties
  • Films (selected)
    • Marnram/Demon Dancer
    • Elephant Shaman
    • Granny Loan Shark
    • The Day the Piano Arrived
    • Marida
    • Early Works
  • Photography
    • Gallery
    • Dryopes
    • Gradiva
    • Ruam Mitr Village
    • Blind Sight
    • Barbary Figs
  • Events/Exhibitions
    • Talks
    • Exhibitions
    • Collaborative Works
  • Bio
  • Contact

Bangkok is enigmatic. There is nothing existing that adequately explains it to me, so I keep returning to it in my mind. What it is, where it came from, how to delve into its essence? It is everything and nothing, a sensory experience in which taste, scent, sound and touch- the heat- all come before

Ruam Mitr Village

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    Exhibition of Ruam Mitr

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    Interview about Ruam Mitr Village

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